A Brown University/Rhode Island School of Design Dual-Degree student (BRDD, 2017), artist, writer, scientist, and explorer of the world dedicated to finding Wondrous things. Art, design, science, literature and the connections between them. For my original artwork see http://arianamakesart.tumblr.com/
Somehow, we managed to fit a glossy black Yamaha upright piano behind the Tiny Desk. Then we tuned it and waited for some glorious moments. By the time Wainwright reached the middle of his final song, “Montauk,” there were few dry eyes among the NPR employees and guests.
Then, earlier this year, she donned an electric-blue bubble dress and a rust-colored puffy wig, and took to a very different kind of stage than she’s used to: The New York Hall of Science, where she spent a month-long residency doing multimedia concerts for adults and tech-science-music workshops for public-middle-school students. “I was kind of thinking of me when I was, like, 8 and what would be the best thing that could happen to me in music school, and the whole thing is kind of designed around that format,” Björk says.
The kids learned rudimentary music theory, played with the apps, then started creating their own songs. Björk’s work paired perfectly with the Hall of Science’s installations—her track “Moon” corresponded to a “Search for Life Beyond Earth” exhibit, for example—so that children could follow their interests to discover bigger ideas. Her audience cheered in their own way, especially after tapping a screen to make a Tesla coil spark. “I am Thor!” shouted a gaggle of 13-year-olds.
The most beautiful music I have heard in some time. I had been vaguely familiar with Philip Glass through his collaborations with Allen Ginsberg and Woody Allen. Now, this is all I want to listen to. This link will direct you to a music streaming feature on his official website. The violin concertos are particularly wonderful. Check it out.